The Air Aces

The recent passing of an old friend Allison Harte from Grand Rapids brought up a lot of memories of working with her and an amazingly talented team at WLAV.

At WLAV the on-air team were (and still are) named 'Air Aces.'   It was sort of a tradition that reflected back on the 60s tradition of naming the air staff.  You had 'The Good Guys' - 'The Boss Jocks' and a number of other names.  I guess the thought was to brand the air staff and build them as a team.  I bet Air Aces started as a sarcastic response to this Top 40 marketing ploy by a station that prided itself in not being anything close to the top 40s of the day.   We'll top their Boss Jock hype - we'll be Air Aces - way cooler.

But, the reality was that being an Air Ace at WLAV was a true honor and much like being a skilled fighter pilot it also required that you be very talented and serious about your craft.  Over the years the Air Aces became way more than just voices between the songs.  They cut through and bonded with the audience in endless ways.  Some of them like Kevin Matthews and Rick Rumble cut through with amazing comedic moments.  Others like Aris Hampers brought an amazing wealth of music knowledge and understanding.   Aces like Tony Gates dug into the community and the music and built a loyal following.

Allison was was sort of the 'sister' to the whole team of Air Aces.  A daring and bold Air Ace herself that always put the listener first, brimming with energy, a genuine love of the music and a big heart for the community.   She was also authentic and honest with the audience.  Her real name was Prudence - not a great radio name so of course it was changed to Allison Harte.  But, she didn't hide her real name or the fact that Allison was made up.  She was active on the phones, always looking to jump out of the studio into the streets, and not scared to stand out or take chances behind the mic.

Being an Air Ace went beyond just a branding gimmick.  The real key was that many of the Air Aces understood this more as a goal of bonding with the listener, the audience and the community.  They honed their talents and built their on air presence to ace the task of building a bond with the people on the other side of the mic.

While many reading this never heard Allison on the air, but you can still learn a lot from her work.  Next time you look at your show think of the qualities that made her an Air Ace and work on mastering the craft and art of entertaining an audience with just your voice and words.  Yes these are pretty obvious qualities, but how often to we really find them in today's billboard/liner/positioning phrase break?  The true Air Ace took their opportunity to bond to entertaining heights way beyond.

Thanks Allison - RIP.

A little add on to this post

Another Air Ace - Aris Hampers - posted some audio of Allison on his sound cloud in case you want to catch her in action.  Now this is not her best work on the air - it's actually a bunch of breaks with the music edited out and the commercials mostly cut out.  You pretty much hear when the mic opens and when it closes.  In these breaks Allison is in the studio but Aris is on Remote doing live spots for a local music store and their holiday cd/record sale in 1987.  There is some pretty interesting banter between Allison and Aris - notice how they each have contrasting roles here in their characters.  They build a bite and friendly feud here that has wit, drama, fun, and a bit of an inside view of the station.  See if you can find some of the qualities above woven into these breaks.  

Rock Is NOT Dying

The news that Randy Michaels' new Merlin Media is likely moving Alternative stations in NYC and Chicago to News Talk has promoted a bit of a debate on the health of the Rock formats and especially the ones that lean on Newer Rock in their mix.   

The first reaction came when John Gehron had the following quote in a Chicago Tribune article: 

"In many of the major markets, rock is struggling," said Chicago radio veteran John Gehron, who is serving as a consultant for Merlin Media. "It's not the dominant sound that it was in the '60s and '70s, when rock really was the sound of a generation."

This prompted an old friend and pretty much the founder of Rock Radio Lee Abrams to publish a piece in Radio Ink where Lee covers the history of the format and seems to conclude that the 'Rock Era' may have passed on - read it here. 

Really the news here is that 2 stations (both Alternative) in top 3 markets are shifting formats to News Talk.  Why?  Probably the 2 biggest reasons lie in the future of the very profitable news talk format on FM and the huge revenue potential at stake for the 2012 battle for the White House.  

Just look at the revenue opportunities in the last election and now with the caps off on letting special interest groups spend money for candidates and issues the flood gates will be open.  Randy is also a complete expert in this format.  PPM has been kind to AM News Talk outlets, but we also know that they live in a world where FM radio is still the dominate band for 30 years.  It's way overdue for FM talk to make a big impact.   Randy's assumed plan to re-enter radio with new FM News/Talk properties in 2 of the top 3 markets is shear genius.  His revenue picture will be amazing when he caps his first year in business with millions in campaign revenue.   

But, IS ROCK RADIO really suffering?  If we take a look at the 12+ shares in the top 20 markets the data I dug up below from shows lots of top 20 markets where the Rock share of the pie has increased in the last 4 years.  

Yes the rock shares are up an average of 18% - note that the comparison is indexed here and 100% would be no increase or decrease.   I did not include Puerto Rico in the list.  I also included Adult Alternative stations and added them to the 'New Rock' side of the ledger - since all of them do play some new rock.  Alternative and Active Rockers are considered New Rock here.   

The other big news here is that all of these markets shifted from Diary to PPM except Houston and Philly which were in PPM in Fall 07.  Note that those 2 markets rock shares are mixed with Houston off 17% and Philly improving 9%.   

In fact Chicago is one of the most improved markets with a 50% increase.  Much of this coming from stronger shares for the Drive, the Loop and XRT.  New York was up 56% with RXP and AXQ both showing higher shares in the PPM world.  

The other factor in the perceptions of the health of Rock right now lie in the glare of the music spotlight.  It's squarely on Pop, Rap, Rhythmic and a bit on Country right now.   New Rockers are lying rather dormant - but the tides will turn there.  We've seen these cycles before. 

Groupon - An Internet Fad or a Real Competitor?

The buzz on Groupon is pretty strong.  If it hasn't hit your market yet it looks like they will, or something very close will pop up.  Radio has also tried to package itself to meet Groupon 'at the pass' in many markets.

Yes, right now this is a 'hot topic.'  But, is Groupon poised to last?

On the 'Tech Crunch' website Rocky Agrawal, an entrepreneur and contributor to Tech Crunch, makes a very convincing case that Groupon will start to struggle as the hype wears off rather quickly.  As Rocky goes through the economics of the Groupon business model he pretty much ends up with a sophisticated Ponzi scheme.  He makes a very interesting argument that your sales team and probably a number of your clients should read.  Are all his facts straight?  I'm sure some holes can be found, but what he says as he digs into their business model is very interesting.  Check out Rocky's analysis here.


While Rocky digs deep into the mechanics of their sales pitch and business plan at Groupon what he doesn't cover is the ability to compete with Groupon.  Many of the local sales teams in Radio, TV and Newspaper are quick to counter with coupon plans of their own.  Other web competitors like Resturant.com and Living Social also have been quick to hit with their deals.  


We do need to take Groupon seriously on the sales side, their pitch right now looks very interesting to a lot of local merchants and national brands.  Radio does have a ton of advantages and can integrate some of the good sides of offers like Groupon.  Couple that coupon with the power to reach a ton of cume in the market quickly and you clearly have a winner.    

M Score and New Options in Measuring Audience and Music

As programmers and software developers have been playing around more and more with the new PPM data and lining it up with services like Mediabase as well as actual station logs it's starting to produce scores for the songs.  Suddenly we can see patterns of listening if we build the ultimate formula and now it's producing a number for the music.  

But what does the number mean?  That is still to be determined.  Recently I talked with Rich Meyer who developed Media Base back in the 90s to track song airplay.  Rich has now moved on to a new world creating Airplay Intel which is designed to try and make sense from all these numbers.  A number of stations already use the service and must subscribe to Media Monitors, M Score and of course Arbitron PPM to access all the data.  Rich has been working a building a reliable index to measure the data so we can capture a real audience score.  

You can read more about Rich's latest adventure at in his All Access Interview.

While Rich's work is ground breaking and the whole system very fascinating I think it's safe to wonder if this is real music research or not.  Are we tipping the scale too much in favor of PPM behavior over the audience's real like or dislike of the song?  

The Big Event

This weekend we have 2 huge media events that are probably more about HYPE and the media making something huge out of an event.  

The first is the Royal Wedding which by most accounts has somehow become more important here in the U.S. than in England.  Really the 'royals' don't rule the English Empire anymore.  The empire was largely split up in the 50s and the British government is not about the rule of the King/Queen.  But, the fairy tale of the prince and princess and a lavish wedding with the whole world watching has the eyes of the media locked down.

Really the only place to dodge all the coverage is ESPN.  But ESPN is itself involved in another marathon event that is probably way overhyped - the NFL Draft.   They have nearly non-stop coverage for 4 days as teams pick from the college ranks.  Exactly how many of these rookies will even see much field time in the NFL next year?  Yet if you listen to the hype - this is the chance for the Panthers to win the Super Bowl.   Forget about the potential of a strike next season -- which team will land Cam Newton???  Last year ESPN estimates that over 28 million watched at least part of the first round.

How does this relate to your radio station?   Well we all have special events (or we should have).  It might be that festival concert you do every year, an annual contest, or a big street/fair community event that you go all out for.  

The key to making them into HUGE events is a consistent build.  Look at the Draft - it started out has a meeting between the teams to divide up the college players.  Year by year the coverage grew and grew - now it seems to start around Halloween and builds to fill the time after March Madness.

The Royal Wedding was built for centuries with the fairy tales, Disney, and the legend/scandals of the 90s.

While you probably won't be able to turn the Chili Cookoff into a Royal Wedding you can grow it every year.  Look for new fairy tales to build from the event, new angles on making more exciting, and also look for new ways to build it up on the air.  

The key is not just to run way too many promos and and just pound it down the audience's ears.  You also have to keep it honest and authentic.  While you can embellish the sell on the event you have to watch that you don't over cook it.  The key here is having a plan and reviewing it every year to make it bigger and better.

3 Kinds of PDs

Having had the opportunity to work with Programmers over the years it usually seems that they have 3 types of backgrounds or 'DNA' that lead to their career path.  Take a look and see which group you (or your PD) may fit in:

1. The Great Jock - This PD usually came from the air staff and was the best air talent (or one of the best) on the team when it came time for them to step up to the PD office.  They usually are pretty skilled at working with the air staff, often pretty creative with promotions, many are pretty good writers and they also have a great creative side.  They may find challenges with grasping research, working with the logs and music systems.  
2. The Technician - This group has a great grasp of computers and the technical side of the station.  They usually do very well with the logs and studio interfaces.  They grasp research quickly and often have a keen eye for analysis of the data.  Sometimes they are challenged with creativity on air and coaching the air staff.   
3. The Musician - Music is the main reason they got into radio.  They are fans and may have a great ear for the music.  Many are pretty strong on air performers and they usually grasp the music scheduling and promotion side of the job fairly well.  They can run into challenges with research, coaching the air staff, and keeping the station focused on a tighter list in a competitive battle.   

All of these skills are important to being a successful programmer.  Each background or approach has great advantages and challenges.  Over the years we have seen more technicians emerge as computers have taken over in the studio and the digital world has become more important.  Still it does not diminish the need for great on-air talent and a full appreciation of the music we play.  We've probably all seen PDs who have skill sets in a couple or even all 3 of these backgrounds - the great PDs find a way to cover all of these areas even if it means hiring great talent around them.   But, in today's world we often find that staffs are pretty small - finding budget and room for a Musician to fill out the staff or pushing a Great Jock into more of leadership role presents a challenge.  

Now more than ever it's very likely that the PD will have to adapt and pick up the skills that didn't come with their DNA.  

I Phone Now It Makes the Music

The world of the I Phone and the Apps continues to amaze.   This week David Bowie announces the release of a new App that will allow you to remix - Golden Years from the 16 track master.  Yes now you can play record producer - here are more details. 

There's also an amazing video of the band Atomic Tom doing their song Take Me Out with just I Phones and IPods on a subway in NYC.

Now if mixing or playing songs is not your game perhaps using your I Phone to fly your airplane would be more challenging:

What's next??  
How about this APP

Research Studies Move To Facebook?

Caught a very interesting article in Ad Age this week on the trend with a number of big name advertisers moving their survey research to social media (Facebook).  Proctor and Gamble (which spends 350 million on consumer research) and Coke both are looking to dive into exploring their brands and consumers through social media instead of spending all their efforts on random sample data and more formalized/structured research systems which we've all used for years.

The leaders of the trend cite the fact that in today's world we can have a lot more interaction with the consumer and vice versa.   Today we don't have to dial out and hope to catch someone at home, wait for a mail in survey to be returned, or have the respondents show up at a conference to find out what they feel about any product or brand.

The ease of finding 'fans' of your product on your fan page or building panels from the large Facebook community gives any product manager lots of opportunity to easily do polls, review product comments, track marketing impressions, and catch the level of engagement.  You also can collect tons of rather open ended responses without dealing with as many group dynamics as you can have in focus groups or group studies.  The research mavens here claim that they get a lot more from the social network's two way communication.  The opportunity is there to easily get away from counting impressions to looking at the consumer's real 'expressions' on the brand - more feelings than just market shares.

The other side of the coin here - is this social network sample reflective of the total consumer picture?  In traditional sample research a lot of science and math goes into building a representative sample with measured margins of reliability.  In the social network world you are likely to be talking mostly to P1 fans in your sample and have less opportunity to see what the non fan is thinking.  But, when you look at most products it's more about building a fan base to a fever pitch and keeping it excited as the brand spreads from the early to late adapters.

We already have a new start up service that specializes in building panels and doing research off of social media samples.  It's called CrowdTap you can see how they approach the consumers on this site.  And also see how they approach marketing and research teams here.  It looks like they just launched at SXSW at the music fest just week or so ago.  I bet this will be a HOT company real soon.


How will this affect radio brand research?  This could be the next BIG trend in radio product research.  It will take a whole new system of interaction with the audience and a whole new world of analysis for all of us.  Extracting the real potential tools to building our brands from this new frontier of research will not come from using the same analysis angles we've been using since we started researching the audience.

You can read more in the Ad Age article here.   You should also take a look at the comments from many of the advertising industry people who had a lot of very interesting reactions to this development.  You almost learn more from their comments than the article.