
Programming and Management Consulting Services for terrestrial and on-line radio in the U.S. and Canada with veteran Consultant/Programmer Dave Lange. Help with music strategy, research, talent coaching, promotions and web integration.
Wednesday, May 21, 2008
Cell Phone ONLY Households

Wednesday, May 14, 2008
So Where Are The New Format Ideas?
Last Summer we saw the 'Movin' format get rolling in a number of markets, but now it's pretty much looking like this adult rhythmic approach is not exploding. The summer before in 06 was really the wind down of a 2 year period where the Jack/Variety Hits formats were the news, but for the most part they have stabilized or even faded away in many markets. Last summer we also saw a number of Oldies stations re-vamp themselves as Classic Hits and bringing in a lot more 70s/80s titles.
So what could be on tap for this year? There are some ripe territories that could be up for grabs:
- 90s Rock - In the late 70s the oldies format was born, in the late 80s we saw Classic Rock flourish, the 80s formats largely came into being in the late 90s and here we are in the late 2000s. There is a lot of great rock from the era and a few stations have already started in this direction this year. You many not have heard of them as the launches have been rather low key and involved existing rockers tweaking their approach. The climate is ripe as today's 25-40 year olds all spent their teens and early 20s in the 90s. The dawn of Grunge, Alternative, pop alternative, Active Rock and 90s metal are all part of the rock side of the 90s and lots of it still tests very well.
- Youth Formats - We have given up in many ways on the teens and 18-24s in our research and experiments in recent years. The news isn't good and we haven't even looked carefully at this market, perhaps due to tightening budgets. It's time to get off our butts and at least take a long hard look at what could be an exciting radio product for the 15-25 year olds. Is anyone doing anything? Doesn't look like it but it could be a spot to work on. It's going to take a lot of new thinking, social networks, texting tricks, unique web approaches and a whole new approach to music. In many ways it's a lot like the launch of young formated youth stations on FM in the early 70s. They threw out every rule of the AM top 40s to make an impression and the going was tough for a while, but look at the big winnings 10 years later!!!
- 90s-Current based AC - A few jumped when the 'Fresh' approach hit in NYC, but there hasn't been much news of recent. This approach to get the more mature 25-44 female could work well in lots of markets.
- FM Talk - We've been talking about it for years but very few have turned it into a strong format.
- Rock - In almost all forms could be a good move this Summer. The music is in good shape for currents and the classic forms of the music reach into the 50 plus audience with ease now. There's Rock out there for people from the late teens all the way to the 60s in some form. Now with PPM finally moving into the top 10 markets this Fall and we're still seeing stronger shares and cume for Rock in PPM than in the Diary system.
It could be an interesting summer, but it could also be a drought in creativity and experimenting. Even though our industry desperately needs to innovate with our products there doesn't seem to be much attention focused on it. The top news seems to be the Clear Channel buy out, which is no doubt distracting all the Clear Channel stations from investing or experimenting for a while. There is also lots of news on the economy and struggling revenues which is another deterrent to innovating. We're also continuing to invest a lot of time and effort into HD Radio and not gaining anything for it. Perhaps it's time to get back to focusing a lot more on our product and the audience.
Wednesday, May 7, 2008
Al Ries - Views the Internet and Mobile Net

Al Ries' involvement in the revolutionary 'Positioning' series of books has always put Al's thoughts and observations high on many of our must read lists.
I caught his recent Advertising Age article on the state of media and the emerging Mobile Net (the web on your cell phone) - the third screen. Al feels that this media is the 'next revolution' joining the big leagues of media - Books, Newspapers, Radio, TV, Internet.
It's a bit scary as Al makes a number of observations that are astute:
Fasten your seat belts. On the horizon, there's another profound shift in media, consumer behavior and technology coming. In the near future we are likely to welcome the arrival of a sixth mass-communications medium. And what is this earth-shaking new medium? It's the Mobilenet. The what? Surely you are joking, Al. The Mobilenet is just a subset of the internet. Just another way of going online. Just another way of surfing the net without using a computer. That's why mobile devices are commonly called the "third screen." Third-screen thinking is going to cause you and your company to miss the boat.
Which big brands were created by moving content from one medium to another? Very, very few.
Moving The Wall Street Journal online didn't save Dow Jones from the clutches of Rupert Murdoch for just $5 billion.
Moving ESPN onto cellphones didn't take it to the big leagues.
So far, moving TV shows to the internet hasn't created as much value as one internet site, YouTube.com. Less than 20 months after its launch, YouTube was bought by Google for $1.65 billion.
Hopefully Radio will keep evolving with new ideas and strategies for the Third Screen-Mobile Net, but Al's point here is that the real 'killer ap' in the new 3rd Screen world will probably not be a line extension of our brand on a different distribution system. We need to think WAY OUT OF THE BOX.
One of the 'dreams' we all have on the web and new media is that we can extend our brand with all it's reach and content (if we don't cut the heart out of it) to the Web and Beyond.
Al's point here is - don't count on it. Read Al's whole article here.
Tuesday, April 29, 2008
Comedians and Morning Shows
I've fallen into this challenge a few times and it's always tough. The stand up comedian has build their world around a live audience, maybe a 10 minute routine that they can repeat night after night, they can use pretty much any language they want, and there's also the opportunity to put physical and visual bits into their work. Of course radio is way different. You will need a lot more that 10 minutes of material and you have to make it fresh every day. Watch the language, no feedback from the audience while you're performing most of the time, and you have to work in an audio only platform. The biggest difference is most comedians are really addicted to laughter and in most settings on the radio they don't get any except from the others on the morning show team in the studio. It's almost like a band that can't hear their performance.
The masters of using stand up folks have to be Bob and Tom. They have a long list of regulars and Tom does a great job of setting them up. But, notice how they have avoided hiring on a 'regular' that becomes a real player everyday in the show.
It's tempting to hang out at a local club, watch some great talent entertain the audience and take the plunge and put them on your morning show. But, beware that club is a very different world than your studio.
Thursday, April 24, 2008
BA Goes to Online Music Research
Some of the highlights include random placement of the songs. The order is no longer fixed for the songs in the online testing world. We all seen the first 25 or so songs in an auditorium test come back with nice scores then the fatigue starts to set in and little by little the scores fall off.
The other is careful panel management. We've mostly relied on using panels recruited from the station's database or pleas on air and on line to sign up. While we usually ended up with a big panel there really wasn't much screening and you would rarely see P1 listeners from competitors in the sample. BA feels they have the screener down to be able to fine tune the panel and represent the target.
The panel can take the test on their schedule and pause the test when they get fatigued or distracted. They can also slow down the pace of the hooks to their liking and re-listen to songs if they want a little more time to make up their minds.
With all the data collected on line it's a lot easier to build a quality panel with people from any market. In fact given the short comings of phone listings and the burden of random number generating to even get close to a sample the is open to the market it's a lot better. You also have a world with cell phones, VOIP lines and other systems where you can live in a market and have numbers from area codes thousands of miles away.
All of these are great advantages in music testing.
A lot of researchers have been a little skeptical of on-line research. Not being able to 'see' the sample in a room, lack of screening, and the concern that you are using a different recruit than the telephone based sample we see from Arbitron are all concerns. But, the paper and pencil days are ending for the top Arbitron markets and really doing paper and pencil research with almost anyone under 40 is so yesterday.
I'm a fan of going on line, as you may have read in past blogs. Working with Solutions Research in Canada we've done on-line perceptual and music tests for over 2 years and the results are great. The costs are also lower and the results come back quicker.
Having also worked with BA on a number of projects over the years and watching their innovation years ago with the Mix Master dials system they do good work. We can expect to see quality data.
Friday, April 18, 2008
Heard Here, New Ratings System?, and Bob
1. Cumulus decides to give Arbitron notice that their stations in markets outside of the top 100 will be looking for a new ratings service. They open the floor for bids that would provide a service that seems mostly concerned with getting sample sizes that would be a lot more reliable than the Arbitron model.
While it's a great idea and I looking over their request for ratings proposals its filled with lavish 'dreams' of what medium and smaller market reports could look like. Plenty of qualitative data, healthy sample sizes and the potential of avoiding recall methods (like telephone surveys and diaries use).
We saw the same show 4 years ago when Clear Channel put out a similar request and what happened. Nothing. In fact if just faded away with a few inches of coverage in the trades.
What will happen here? Unless someone steps up with a cheaper version of PPM and can somehow find a way to build a panel that includes the cell phone only world probably nothing.
There are potential systems and vendors out there that could make a run here. But, can a system be developed for the smaller markets that is profitable? It's going to take more investment to build a data collection system and healthy panels. Will medium and smaller market broadcasters be willing to pay the freight?
When you look at the way most stations use the ratings data outside of the top 100 markets I wonder if most would say - who cares. These markets are out pacing the bigger cities in revenue growth because they are built on local direct advertising and don't live in the agency driven, cost per point, and try anything on the Internet world in the bigger markets.
Still, I hope we end up with something here. At least some pressure on Arbitron to do something. The world where we have PPM in the top 50 markets and a system of diaries and weak samples in the rest of the world will only make ratings worthless outside of the PPM markets will end up hurting in the long run. More and more we are seeing national chains moving their boxes and restaurants into the smaller markets and to get them you will need some proof of your audience.
2. The Spring NAB in Vegas launches RADIO HEARD HERE. It's great to see the NAB doing something positive to unite radio. Don't know if this creative will cut through with the rather retro looking logo and the viral video pieces are rather long, boring and don't talk to the audience. We do need to communicate our real value with our huge reach, ease to develop a message and our power to build your brand in a controlled market and this campaign will help. Frankly I think we'd be better off shelving all the HD spots and spend our resources here for now.

3. Bob Pittman speaks at NAB. Look at these highlights from his address:
Radio is mobile, it’s easy to use, it has a lot of choice,” Pittman said.
Repeating comments we’d heard him use previously when talking about new
media, he said what makes a great consumer business is convenience and brand
– and “radio wins on both counts.” The one-time radio programmer noted, “I
think there are probably no better brand builders in the world than radio
programmers.” Despite all of the hype about the Internet replacing
broadcasting, Pittman, who is currently an investor in radio and TV groups
as well as new media, insisted “the Internet is not television or radio.”
People still turn to broadcasting for entertainment, while they use the
Internet to manage their lives.
Bob's always made a lot of sense when he speaks and it sounds like his address in Vegas was true to form. Thanks Bob.
Friday, April 11, 2008
Build a Social Netwok This Afternoon!!

We've all watched My Space and Facebook build a whole society on the web. I know we've also wished we could build this kind of link within our audience. We all know we could turn our normal P1s into super-P1s and also get our P1s to mingle and make our brand and station a lot more engaging.
But, how do you build this kind of network? It looks like a lot of work and we can hardly keep up the web site as it stands at most stations. Well it's not as hard as it looks - in fact it can be as easy has setting up a simple blog like this one. Ning has set up a FREE ONLINE SERVICE that you can sign up with just like you sign up for a blog. They have all the tools to start a social network.
Right now there are only a few non-commercial and college stations in the mix, but you can see the potential. There are sites for tons of universities, hobbies, and just about anything that interests the world.
Here's an example of a Big Brother Social Network for fans of the TV Show. So far I couldn't find much from commercial and terrestrial stations on Ning's thousands of social networks. The recent launch of the The Sound in Los Angles used Ning to set up a site for their 'Bruce' stunt where they went all Springsteen in honor of his concert, but now that site is down. A few other college station use the site, but they require you to join their 'club' to even see the site. I did find the Chicago Classical station using the site WFMT.
Take a look at these and also look at the Ning site and perhaps you can start building your social network with your audience.
Ning is basically Free, but they do charge if you want to have or sell Ads on your site ($20 a month) and if you need more storage space, want to use another domain name and other features, but it's not a big charge.
Good Luck and I'd love to hear of any networks you set up.
Friday, April 4, 2008
The Election and The Summer
